Please forward this error screen to 198. Free Alan Bennett Talking Heads papers, essays, portraits from memory and other essays research papers.
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Monologues are a long speech made by one person. This style of script is really effective and has a powerful effect on the audience. These monologues were written for television broadcasting, programmes presented in this way are put under the genre of tragi-comedy. I will go on and explain in this essay, the play writer’s use of literary techniques – including setting, theme and characterisation- which may make the decision seem correct or not. Talking Heads was originally produced for BBC television but has recently been used as a collection of short stories. Each of the characters portrayed, is played by an actress that has been previously associated with Alan Bennett e. Thora Hird who plays Doris worked on a BBC Radio 4 programme – Deadringers .
Each of the characters, according to the author has a “single point of view” and none is “telling the whole story”. He says that his characters are “artless” and “don’t quite know what they are saying”. It is true that this is so. We, the listeners, can make conjectures about all of them. Graham’s ambiguous sexuality, Susan’s alcoholism and Muriel’s perverted husband are not revealed directly through any statements made to us. Every character is, in some way inadequate. Graham is a mother’s boy, whose dubious sexuality seems to have caused him severe mental stress.
Susan, the vicar’s wife, is an alcoholic woman, trapped in a loveless marriage, whose caustic intolerance of her husband’s calling alienates her from the rest of the parish and forces her into behaviour which is damaging and dangerous. Alan Bennett presents his characters in Talking Heads by writing the plays in the form of monologue. By employing this technique he has managed to create a rich and detailed World in which his stories unfold but, he only allows us to see it through the eyes of a single narrator. When reading a play that is presented in this manner it is possible to lose sight of the fact that you are only getting one person’s version of events and you may start to believe that you are having conversations reported to you verbatim. Talking heads” by Alan Bennett is a collection of monologues in which the audience are showed into the life of a character and given an insight into the character’s personality and situation. People’s lives are portrayed in comic ways leaving the audience feeling sympathy and guilt for the character in laughing at their misfortune. In the play a Chip in the Sugar Alan Bennett shows us a life of a very unconfident man who still lives with his mum.
Graham is a middle-aged man with a history of mild mental health problems, living with his mother in Leeds. Alan Bennett’s ‘Talking Heads’ inspired my initial idea. Our group comprised of Jennifer Harney, Jamie Hollaway, Antonia Forsyth, Nick Hudson and myself. I had imagined two seats on stage with two people portraying an unusual event.
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The other actors would then act out the narrated story. However this was not met with great enthusiasm and so was immediately dismissed. Our second idea was more stimulating. We came up with the idea of a failing band who were looking for new talent a la ‘The commitment’, and were holding auditions. Born in Yorkshire in 1934, Alan Bennett.
Born in Yorkshire in 1934, Alan Bennett has been writing, performing and directing since his first theatrical encounters as a student at Oxford in the early 1960’s. He first gained success at the Edinburgh Festival Fringe and later, in collaboration with Dudley Moore, Peter Cooke and Jonathan Miller, enjoyed considerable acclaim with the original Beyond the Fringe. Alan Bennett is the archetypal Northerner, his bespeckled, dour appearance make him an unlikely celebrity and he would not look out of place as a slightly muddled professor or, as Bennett himself observes, a vicar. Many of Bennett’s characters are unfortunate and downtrodden, as in the Talking Heads series of monologues that was first performed at the Comedy Theatre in London in 1992, and then transferred to television. This was a sextet of poignantly comic pieces, each of which portrayed several stages in the character’s decline from their initial state of denial or ignorance of their predicament, through their slow realization of the hopelessness of their situation, to a typically bleak Bennett conclusion. In A Lady of Letters, Patricia Routledge plays the part of Irene Ruddock, who is a very lonely woman that has an obsession with writing letters to everyone to complain about the smallest of things.